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Singles DiscographyStrangeloveChartsUK (16) US (76) Germany (2) Notes
"Strangelove" was also a turning point in the way the band would approach their single campaigns. This became the first release where the single had more than two remixes. Previously, the band would have their own extended version and maybe a remix done outside of their own recording sessions. On BONG 13, the song had its usual extended version in the form of the Maxi-mix. Then on the L12, two mixes with their own direction were offered up in the form of the Blind and Pain mixes. The Blind mix is a harder and edgier remix from Daniel Miller based on his remixed album version of the song. This version connected with radio listeners. The Pain mix, on the other hand, is a classic house mix by Phil Harding that had its foundations from the Maxi-mix. He also contributed the promo-only Fresh Ground mix that deconstructs "Strangelove" and mixes in samples from Cameo's "Word Up". It has never been released digitally and remains one of the holy grails of DM collectables. It was scarce then when it was printed on DANCE BONG 13 and it's even more scarce now. BONG 13 is also the start of Mute's multiple promotional release campaigns. Not only was there the rare DANCE BONG 13, but there were also the equally scarce CLUB BONG 13 and SHOP BONG 13 12" releases. This release would also be the first BONG to be issued on the new digital CD format. In 1992, following the wake of the import craze of the previous year, its exclusion off the Singles box sets led to the single being reissued on CD along with "Never Let Me Down Again", "Behind the Wheel", and "Everything Counts" seeing individual reissues. These reissues ended up being comprehensive mini-albums containing all the remixes and B-sides from their respective campaigns. "Strangelove", deep with mixes, was nearly as deep with B-sides. "PIMPF" would serve as the primary B-side on the 7" and appear on the L12 with then fellow B-side "Agent Orange". A "remix" of "PIMPF", entitled "FPMIP" appeared on 12 BONG 13. It's a humourous take by remixing a classical piano piece, but it was done nicely with the trademark vox samples soloed as an opening intro. One of the more fascinating attributes of BONG 13 has to be its cover: a close up of the orange megaphone that's been stenciled with the single's catalogue number on the inside of its horn. Unlike its predecessors or even the releases that would follow, the image of the megaphone turned the release into something tangible. This megaphone was BONG 13; it was "Strangelove" and when you see it, you know exactly what it's for, where it's from, how loud and powerful it was, and what music was going to erupt from it. The centerpiece of the megaphone, as its featured on the sleeves, was a bit phallic in nature. Not to mention, the Anton-directed video features said megaphone in an equally suggestive manner (that subliminally screams out chick magnet) as well as accentuate the tangibility of the megaphone. In the video, it serves as its own character as well as a natural extension of the band. With two female models in various states of dress, Anton crafted one of the more provocative and racy DM videos ever. Later Anton videos would feature varying levels of suggestive and/or perverse imagery. On its own, it served as a powerful icon that drew many outsiders into the DM fold, not just for the single, but for the entire album campaign. When the dust had settled, "Strangelove" would be the most significant US release, the most important BONG of them all. It would also be the first of a three-part trilogy of pivotal "…Masses" singles that would follow the new successful blueprint established from here onwards. US Releases
UK Releases
Japanese Releases
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